Posted On March 20, 2012 by Print This Post

Strong & Sassy Heroines with Annie Seaton

The romance writing world is a small one and Annie Seaton and I have crossed paths many times. I am so thrilled to have this strong and sassy author telling us how to put that on the page. Welcome Annie!

Strong and Sassy Heroines!

When I decided to write my steampunk story, Winter of the Passion Flower, my heroine was constantly in my head, telling me what to do! She wanted to be the one in charge, the one who called the shots, and the one who did most of the adventuring. Thus it became a very easy story to write as Indigo de Vargas y Irausquínno pushed the swashbuckling action to the limit.

One of the concerns when you are writing about a strong heroine, particularly in the romance genre, when most readers love an alpha male is to be able to balance the strength of your hero and heroine so that the action and the romance are believable and satisfying to the reader.

Indigo appeared in my mind, all of her characteristics already in place. Being the ultimate panster and one who does not take time to do character sheets and plotting, my characters evolve through their actions and this really works effectively for me. When the book was finished, I reflected on Indigo’s character and tried to marry it to words that would be characteristic of a strong (and sassy) heroine.

Is she a risk-taker, is she brave, and does she have attitude? Tick…yes to all of those.
Does she have a strong survival instinct in the face of adversity?
Does she passionately believe in a cause?
Does she have the respect and admiration of the other characters?
Does she recognize when she makes mistakes?
Tick… yes to all of those.

Sassy is defined as impudent, vigorous and lively and it can be very easy to overdo the ‘sass’ to the point where a character can become unlikeable. Sassiness must be balanced with strength by a soft side, and an underlying reason for the sassiness must be demonstrated. A passionate belief in a cause, where the heroine fights for truth and justice, whether it be on a global scale or within a relationship must provide a backdrop for each of the sassy heroine’s actions and reactions.

So how does an author convey the strength of a strong and sassy heroine, keeping her as a believable and likeable character? One of the most satisfying reviews of Winter of The Passion Flower recognised Indigo’s strength:

I especially like that Indigo is the scientist and I love that Indigo needs to rescue Zane! Both characters were light and fun and fit in perfectly with this swashbuckling plot. (The Romance Reviews)

Detailed descriptions of both setting and physical characteristics are very important. The use of strong verbs, both when describing the actions of the heroine and in her dialogue are essential to provide a backdrop to successful characterization.

Strong dialogue, where the heroine shows her intelligence, and demonstrates her ability to make the right decisions under pressure, can convey much about her strength of character in very few words and can be a most effective tool for telling the reader about her.

Having the respect of secondary characters is integral to the success of a strong female character and this can be demonstrated successfully though both dialogue and action. Mr and Mrs Grimoult in Winter of the Passion Flower came alive for me in their love and respect for Indigo. It is essential that the soft side of the strong character comes to the fore when required and the reader gets a balanced view of the character.

Excerpt:
“Madam, here are your goggles,” insisted Mrs. Grimoult, holding them out to Indigo as she peered down through the transparent floor of the dirigible. Indigo glared at her as she observed Mrs. Grimoult roll her eyes at her husband.
“Madam, the putrid air will not be good for the baby’s health,” coaxed Mr. Grimoult. Indigo reached over, donning the goggles, without a word, taking great care not to disturb her magnificent hairstyle

When there is a fight or an action scene, it is essential to use the right creative technique to convey action. Short sharp sentences are effective. The heroine must always win! Indigo is physically strong and this made it very easy to convey her strength of character, which complements her physical strength and size.

Excerpt:
She bit. She slashed. She screamed. No holds barred, she fought dirty. Her life depended on it. Using her fingernails, she gave a grunt of satisfaction as skin ripped beneath them. Her adversary released her as she ran for the road, pulling the scarab controller from her bag.

The relationship of a sassy heroine with the hero must always be full of fireworks. After all, he is threatening her independence and making her feel emotions that she is unused to, as well as threatening her control. They must always be at odds—both physically and in dialogue.

I love this moment between Indigo and Captain Dogooder…

Excerpt:
Their eyes locked, and she moistened her lips in a slow and sensuous movement. Indigo moved in closer, and the captain’s eyes darkened.
She bit him sharply on the lip as she brought her knee up hard to his groin. Pushing him away, Indigo spat words at him. “You will learn your place in the scheme of things. Do not ever touch me without invitation. Do not ask questions about things best left unsaid.”

Summer of the Moon Flower, the sequel to Winter of the Passion Flower is set ten years later and follows the adventures of Sofia, Indigo’s younger half sister. It has been an interesting journey, as Sofia is petite and fragile and writing her as a strong character in an action packed romance, when she doesn’t have the physical strength of Indigo has been challenging.

Again, setting, physical description of characters and the use of strong dialogue have been essential in the creation of a vivid picture of her personality, and to convey her strength of character. Sofia is directing me through a process where she is more proactive than Indigo. Most of the action scenes and interactions in Winter of the Passion Flower were reactive; in the sequel Sofia is much more in charge of what happens!

Make your sassy heroines human… let them make mistakes, let them show their emotions, give them a soft side. So…when you are creating your strong and sassy heroines, make them the heroines that we all secretly envy!

***

Who are your favorite strong and sassy heroines?  What makes a heroine strong in your eyes?  

 Damon Suede returns tomorrow to talk about the power of character verbs. Don’t miss it!

***

Bio:
Annie Seaton lives on the beautiful east coast of Australia, where she loves sitting in her writing chair, gazing at the ocean and writing stories. She has always been fascinated by all things historical and has found her niche writing contemporary romance and steampunk, where strong heroines and brooding heroes fight together to make their alternative world a better place.

Her very first book, Holiday Affair, a contemporary romance set in the South Pacific was released as part of Entangled Publishing’s Indulgence line on 15th March.

Winter of the Passion Flower was released through Lyrical Press on 19th March. Currently immersed in the creation of Book Two, a full length novel, the adventures of Sofia and her Scottish laird, Annie is already looking forward to the rest of the series, particularly the adventures of Indigo’s four boys: Jago and Jory, Ruan and Kit. Strong sassy heroines and rebellious heroes have a rollicking good time as they work to make the world a better place–
albeit their own steampunk world.

Blind Lust, a paranormal novella will be released by Musa Publishing on 15th June.

Annie lives with her husband, and ‘Bob’ the dog and two white cats, in a house next to the beach in a small coastal town of New South Wales. Their two children are grown and married and she loves spending time gardening, walking on the beach and spoiling her two grandchildren.

Visit Annie Seaton at http://annieseaton.blogspot.com

 

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15 Responses to “Strong & Sassy Heroines with Annie Seaton”

  1. Robin
    Thanks for hosting me and letting me write about my strong and sassy heroines. I would love to answer some questions about steampunk or any other aspect of my writing and will give away a copy of Winter of the Passion Flower to reader who asks the most interesting question tonight!

    Posted by Annie Seaton | March 20, 2012, 12:41 am
    • Annie – Thanks for being here! I’d like to know if you find it more difficult to write a heroine in a certain genre?

      Posted by Robin Covington | March 20, 2012, 9:46 am
      • Hi Robin
        No matter what genre I are writing in, I get inside the skin of my characters…they are are a living, breathing person to me for the duration of the creative process. Thus as an emotional human being with motivations and desires, it doesn’t really matter whether they are in the stone age, the renaissance or a futuristic setting, they still have the same needs, reactions and thoughts! The research on the setting is the critical factor for me in genre.

        Posted by Annie Seaton | March 20, 2012, 2:12 pm
  2. Hi Annie,

    I describe my daughter as sassy. If I ask her what she’s doing, she responds ‘living life.’ In steampunk, do the heroines have to be trained in a variety of skills? For example, a scientist with a black belt in karate who bakes award winning pies? Does her personality have to be over the top or extreme?

    Mary Jo

    Posted by Mary Jo Burke | March 20, 2012, 6:56 am
    • Hi Mary Jo
      Mary Jo
      Gail Carriger’s Alexia Tarrabotti character is a great example of a steampunk female character.She is a preternatural ie she has no soul and as such has powers to “defuse” vampires and werewolves simply by touch. However she has a cutting wit (as well as a range of wonderful umbrellas!)
      Fr me, the quirkiness of the character adds to the appeal rather than being over the top or extreme. In the next book of my series, Sofia is a very quiet, fragile couturier…however she has a keen intelligence which she uses to extricate herself from trouble.
      I love your daughter’s answer!

      Posted by Annie Seaton | March 20, 2012, 2:17 pm
  3. Morning Annie!

    Great to have you here!

    Steampunk isn’t an area where I’ve read a lot yet….I’ve bought a book or two, but they’re still in the TBR pile!

    My big question, is how do you temper the heroine to be strong, but not overbearing, especially when she’s with her hero?

    Thanks!

    carrie

    Posted by Carrie Spencer | March 20, 2012, 7:36 am
    • Hi Carrie

      We all have vulnerabilities as does each of my heroines. The clash between two personalities when each one is trying to be the alpha in a relationship can lead to some great tension between characters. By showing the vulnerabilities and needs of the heroine, it makes her a likeable character. I think kick ass heroines with no softness are just sassy with no depth or strength and as a reader I lose interest very quickly. I hope you like Indigo!

      Posted by Annie Seaton | March 20, 2012, 2:22 pm
  4. I love your heroine’s name! I get a sense of her sassiness from that alone!

    Posted by Becke Davis (Becke Martin) | March 20, 2012, 9:02 am
  5. Annie,

    Welcome to RU!

    Do you happen to know of any YA steampunk that you might recommend for a 12-year-old boy? My son is a big fan of fantasy and post-apocolyptic work.

    How does an author prepare to write a steampunk as far as research is concerned?

    Thanks so much for hanging out with us today!
    Kelsey

    Posted by Kelsey Browning | March 20, 2012, 9:29 am
    • Hi Kelsey
      As a school librarian in a past career life, I would say it depends on the maturity of the 12 yr old. Some of the adult Steampunk novels such as Gail Carriger’s Soulless would be suitable on a PG 13 level as far as the sexual content. I found it interesting that a reviewer on The Romance Reviews reviewed Winter of the Passion Flower and said:
      “The romance between Zane and Indigo is very PG-13 so fans of erotic romance may be a little disappointed but I thought it fit the adventure plot well.”

      As a mother, I would prefer that my 12 year old did not read explicit sex scenes.. but maybe I am out of touch!
      The Girl in the Steel Corset by Kady Cross would be a good starting point for him.
      Leviathan by Scott Westerfield is also highly recommended by reviewers.

      To answer your research question… There are many resources and steampunk sites out there. I found that images inspired me, the clockwork and cogs.. thus the creation of Zane’s chronometer watch and the directional perambulator (the elevator) were inspired by steampunk pictures I found.
      Being a history buff, I loved reading about the history of the period and revisiting the history of the nineteenth century. I like to keep my settings as accurate as possible, and I found a wonderful archive on European railways that has helped me create the first scene in my sequel.
      Thanks for visiting. I hope you and your son enjoy reading steampunk!
      Annie

      Posted by Annie Seaton | March 20, 2012, 5:17 pm
  6. Hello Annie!

    I love strong, quirky heroines. Like Carrie stated, I struggle at times because I’m afraid my heroine will come across as not likeable and a bit of a pill.

    Where do you get your inspiration for your heroines?

    Thanks for blogging with us today!

    Posted by Jennifer Tanner | March 20, 2012, 4:31 pm
  7. Hi Jennifer
    I am a close observer of everything that happens around me. Whether it be in a social setting or a family situation, or standing in a queue or riding on a bus!
    I watch interactions, reactions and they all meld together and they often become quirks of my characters. I think the key is balance. Sass balanced with caring and warmth… and very reader loves to see the vulnerability of a character and empathise.
    Hope that helps!
    Annie

    Posted by Annie Seaton | March 20, 2012, 5:25 pm

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