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IMAGINE THIS…Part 2 Imagery and Characterization, can the two ever meet outside of an English class? By Jade Lee
Posted By Becke Martin Davis On February 27, 2014 @ 12:01 am In Characterization,Craft of Writing,Romance University | 10 Comments
USA Best-Selling Author JADE LEE  returns today with Part 2 of her series on Imagery and Characterization.
Seething volcano or skittish bird, what image best fits your characters and why would anyone care? Last time I talked about giving a unified imagery set to your main characters. I outlined how choosing basic element properties to your characters creates adds texture and EASE to a character arc. We went with the basic earth, air, wind, and fire possibilities. But let’s say you want to go one step further. How would that work and why?
Make your imagery more specific. First off, add metal to your list of elements. Then while you’re at it, maybe add all the elements of the periodic table. What if your hero is a tinman in search of a heart? Give him metallic colors to wear and surround himself in. Make him bendable, but when he adjusts to the heroine it gives him a sharp edge to his words and actions.
Now start picking out words to use for your hero. Match it with all five senses, but make sure to pick words that reflect both the good and the bad. You want to be able to indicate your character’s changes from a problem through growth into happiness (and love). Confused? Try these examples. For sight–metallic and reflective. When people look at him they see themselves reflected back, not the man himself. When you describe him and his environment surround him in chrome and give him a tin car toy collection. Let the heroine see him as childlike but cold. Then as he grows around her, you can add color to his clothing and surroundings.
Sound–tinny, brittle. You don’t have to make his voice sound tinny or thin. That’s not hero-like! But he can speak with a brittle edge or it can grate like metal on metal. He can hit something that clinks. When he’s depressed he can have a hollow echo to his tone, but as he warms to the heroine, his voice gets depth and color. Eventually–at the end–someone hears his heartbeat. Even the music he listens to changes from Metallica to country–or maybe that’s too much of a stretch.
Touch–sharp but malleable. Initially his touches are cold and angry words hit like shards. But as he changes, his rough edges smooth. His face is not chiseled but pressed or shaped. Then when he smiles he shows a kind of light (heroine’s reflected light). She warms him (because metal doesn’t carry his own warmth), but he protects her and brings out her child-like qualities (because he’s a tin toy).
Now you add taste and scent. Truthfully, with a tin toy image, I stick with cold feel, metallic taste, and sterile scent. None of that is erotic or hero-like. So if you mention these things, keep them at the beginning of the book, letting the negative words drop away as he changes for the better. He is, after all, gaining a heart and growing into a real boy. But remember, he can be a geologist or a metal worker. He can work in a sterile room or be comfortable in clinical settings.
So now you get the idea, but don’t just stop there. Make your images very specific. My hero in Tempted Tigress is a Chinese ink and brush set. He’s a scholar and when he feels drained, I say that his words were like ink mixed too thin. His body is thin and pointed, and during the love scene, his touch paints words on her. My heroine in Cornered Tigress is a cat. Every time she enters a room, she experiences it first through taste and scent. When she’s afraid she tends to go into tiny enclosed spaces. You can use anything that sparks your imagination, so…go wild!
To read examples of imagery, check out Jade’s novels. Guess at her imagery sets, then email her about places where she’s inconsistent: firstname.lastname@example.org. But don’t surprised when she responds: Good catch, but that was my editor’s fault. BTW, her editor’s imagery set is as a catcher’s mitt–all faults are caught by him. Praise, however, wings over his head to Jade!
How would you describe your hero, using words that – in Jade’s words – “reflect the good and the bad”?
Join us Friday, when regular RU columnist ADAM FIRESTONE  returns!
A USA Today Bestseller, JADE LEE has been scripting love stories since she first picked up a set of paper dolls. Ball gowns and rakish lords caught her attention early (thank you Georgette Heyer), and her fascination with the Regency began. And as a Taurus, she lives to pit a headstrong woman against a tortured hero just to watch them butt heads on the way to true love. Flesh wounds are rare, but the healing and laughter are real.
Now an author of more than 30 romance novels, she finally gets to set these couples in the best girl-heaven of all: a Bridal Salon! This way she gets to live out all her wedding fantasies, one by one. (Let’s be honest, what girl has only one idea for her dream wedding?) For more on the Bridal Favors series, visit Jade on the web at her website , on Facebook  and on Twitter .
And don’t forget Jade’s other name, KATHY LYONS . That’s Jade’s lighter, contemporary side. She writes for Harlequin Blaze merging hawt sex and funny relationships into really great reads.
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 Weekly Lecture Schedule: Mon., February 24 to Fri., February 28: http://romanceuniversity.org/2014/02/23/weekly-lecture-schedule-mon-february-24-to-fri-february-28/
 IMAGINE THIS…Part 1 Imagery and Characterization, can the two ever meet outside of an English class? By Jade Lee: http://romanceuniversity.org/2014/02/26/imagine-this-part-1-imagery-and-characterization-can-the-two-ever-meet-outside-of-an-english-class-by-jade-lee/
 Setting as Character: An Interactive Approach: http://romanceuniversity.org/2010/04/09/setting-as-character-an-interactive-approach/
 Weekly Lecture Schedule for April 5 – 9: C.J. Redwine, Marital Rating Charts & Jade Lee/Kathy Lyons: http://romanceuniversity.org/2010/04/03/weekly-lecture-schedule-for-april-5-9-c-j-redwine-marital-rating-charts-jade-leekathy-lyons/
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