I first discovered Deborah Blake‘s Baba Yaga books when a friend of mine recommended them to me. I read the first one, and then the next, and then the next. The stories seemed to flow seamlessly, as if the author had breezed right through them. Sadly, books that are easy to read sometimes take their toll on the author.
People often ask me what my writing process is—do I outline first (yes, usually), what time of day do I write (evenings almost every day, and often a morning shift on the days I don’t work the day job), and how long it takes me to write a novel from start to finish. That last one is tougher to answer.
In general, it takes me about three or four weeks to play with the initial idea, do enough research to get started, and write the outline and character studies, all of which has to happen before I begin to do the actual writing. Then it takes me about four months to write the polished first draft (I start each day’s writing by editing the words from the day before, so in theory each first draft had already had one edit by the time it is done). Then it goes off to my agent Elaine, who sends me her very helpful revision notes, which take me about two weeks to complete. Then it goes off to my editor, who will eventually send me her own notes. Somewhere in that process, bits and pieces and sometimes the whole thing are also read and commented on by my First Readers, who are various folks who I trust to give me honest but not brutal feedback. [Each book has different First Readers—some people have worked on almost every book…thank, Mom…and some only one or two.]
You’ll note those important two works: in general. If you ask any writer, they will tell you that no two books are the same. Some are easier to write than others. And every once in a while, you get one that fights back.
Take it from me—this is Not a Good Thing.
Dangerously Charming, the first book in the Riders series, tried to kill me. No, really. This one fought back. Unlike Wickedly Dangerous, the first Baba Yaga book, it was not fun to write. Did I mention it tried to kill me?
I thought about not doing this blog post. After all, it would be kind of nice for y’all to have the illusion that I sit here with my laptop and my cat and merrily type away while bluebirds fly overhead, singing happy songs, and then, POOF, the book appears.
Yeah, not so much. Not even for the books that cooperate. (Although there is a laptop, and often a cat or two. But no bluebirds. The cat would eat them. And then the feathers would get into the keyboard, and I’d have to explain that to the tech guys, and well, nevermind.)
But I also thought that maybe it would be interesting for you to get a peek into the reality of the writer’s world, and really, the only way to give you a good look was to be honest. Which means admitting that not only is writing not always (or ever) easy, sometimes it is downright tough. The next time you read a book by one of your favorite authors, maybe you’ll wonder…was this one that fought back? And appreciate the fact that the book exists even more.
So what happened? A couple of things. It probably started with my signing a contract with back to back to back deadlines that were too close together, and getting a little burned out. It happens. Plus, it was more difficult than I expected to switch from writing about the Baba Yagas to writing about the Riders. But then the outline wouldn’t allow me to write it. I got about a third of the way into the story, and couldn’t get any further. Only had a basic idea of what happened next. Still, the book had to be started, and I’d written books without outlines before, so I just sat down and began writing, and hoped that I’d figure it out as I went along.
Nope. I got about 34,000 words in (on a book that would end up being about 90,000 words) and I had a feeling something just wasn’t right. So I sent it to Elaine, and she made some suggestions, and I rewrote the first bit. But it still wasn’t right, so I asked my then-editor, Leis, to take a look, and she called me up and basically confirmed my worst fears: the story wasn’t working, in part because there were serious problems with the two main characters, Mikhail Day (the Rider, who my readers had already met in the three Baba Yaga books) and his love interest, Jenna.
So I figured out the problems, and where the story had started to go wrong. Unfortunately, that was at about the 8,000 word mark. Yes, you can see my problem here. I was going to have to throw out almost everything I’d written (when I was already running late on my deadline) and start over practically from scratch. Did I mention that this book tried to kill me?
Thankfully, I was actually able to save more than I expected, although much of the old stuff had to be changed, rewritten, or thrown out completely. Once I’d identified the problems with the story, I was able to go back to the outline and finish it, which made writing the rest of the book a lot easier. And then there was my pal Sierra, who not only acted as First Reader, and my trusty paid researcher, but helped me brainstorm a lot of the story when I got stuck. So basically, she saved my butt. (This was a fairy tale story, and that’s kind of her area of expertise. Thank goodness.) But holy crap, this was a tough one.
Eventually, the story got finished, two months past its deadline. (I’ve never been late on a deadline before. There was some serious twitching.) Which, of course, meant I was already two months behind on the current novel. Let’s hope that one doesn’t fight back too. The important thing, though, was that in the end, I had a book I was proud of, and happy to eventually be able to share with you all. As an author, the end result is a lot more important than the struggle it takes to get there.
You know, as long as most of the books don’t try to kill you.
Have you ever had a project (writing or otherwise) that fought back? And if so, did you win out in the end?
Author KATIA LIEF joins us on Friday, May 13.
Deborah Blake is the author of the Baba Yaga Series from Berkley (Wickedly Dangerous, Wickedly Wonderful, Wickedly Powerful), as well as the urban fantasy Veiled Magic, and has published nine books on modern witchcraft with Llewellyn Worldwide. When not writing, Deborah runs The Artisans’ Guild, a cooperative shop she founded with a friend in 1999, and also works as a jewelry maker, tarot reader, and energy healer. She lives in a 120-year-old farmhouse in rural upstate New York with four cats who supervise all her activities, both magical and mundane.
Known as the wicked witch of Russian fairy tales, Baba Yaga is not one woman, but rather a title carried by a chosen few. They keep the balance of nature and guard the borders of our world, but don’t make the mistake of crossing one of them…
The only thing more fiery than Bella Young’s red hair is her temper. She knows that a Baba Yaga’s power without strict control can leave the people she cares about burned, so to protect her heart—and everyone around her—the only company she keeps is her dragon-turned-Norwegian-Forest-cat, Koshka.
But when Bella is tasked with discovering who’s setting magical fires throughout Wyoming’s Black Hills, she finds herself working closely with former hotshots firefighter Sam Corbett—and falling hard for his quiet strength and charm.
Sam may bear the scars of his past, but Bella can see beyond them and would do anything to help him heal. Only before she can rescue her Prince Charming, she’ll have to overcome the mysterious foe setting the forest fires—a truly wicked witch who wields as much power and even more anger than Bella…
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