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The Best rokinon 16mm f/2.0 nikon of 2023 – Reviewed and Top Rated
After hours researching and comparing all models on the market, we find out the Best rokinon 16mm f/2.0 nikon of 2023. Check our ranking below.
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- Rokinon 16mm F/2.0 ED AS UMC CS Lens for Nikon F Mount Cameras - Front Lens Cap - Rear Lens Cap - Lens Hood - Pouch - Rokinon Warranty
- Wide angle focal length equivalent to 24mm in the 35mm format
- Fast f/2.0 maximum aperture for effective low light shooting and shallow depth of field
- Aspherical and Extra-low Dispersion lens elements reduce aberrations
- UMC lens coating allows even light transmission and minimizes ghosting and flares
- Ultra wide angle Cine style 16mm lens featuring de-clicked aperture and follow focus gears
- Large t2.2 aperture
- Designed for DSLR & mirrorless cameras with cropped APS-C or micro four thirds formats
- Includes Removable lens hood and takes 77mm filters
- Available for Canon EOS, Nikon, Sony Alpha, Micro 4/3, Sony E-Mount
- Ultra wide angle 16mm lens
- Focal Length: 16mm, Minimum Focusing Distance : 7.9 inches (0.2m)
- Large f/2.0 aperture for low light photography and night street shooting, Designed for cameras with cropped APS-C image sensors
- Includes Removable lens hood and takes 77mm filters
- Available for Canon EOS, Nikon, Sony Alpha, Pentax, Micro 4/3, Sony E-Mount, Canon M, Fuji X, and Samsung NX
- Ultra wide angle 16mm lens
- Focal Length: 16mm, Minimum Focusing Distance : 7.9 inches (0.2m)
- Large f/2.0 aperture for low light photography and night street shooting
- Designed for cameras with cropped APS-C image sensors, Includes Removable lens hood and takes 77mm filters
- Available for Canon EOS, Nikon, Sony Alpha, Pentax, Micro 4/3, Sony E-Mount, Canon M, Fuji X, and Samsung NX
- This Bundle Includes: Rokinon 16mm T2.2 Cine Lens for Nikon F, 3-Piece Filter Kit, Hand Strap, Full Cleaning Kit, Cap Keeper
- Cinematic Wide-Angle Coverage – Designed for APS-C and smaller sensors, this 16mm cine lens provides an expansive 83.1° field of view, ideal for landscapes, architecture, interiors, and dramatic wide establishing shots.
- Optimized for Filmmakers – Features de-clicked aperture control for smooth iris pulls and 0.8 pitch geared focus and aperture rings, making it fully compatible with professional follow-focus systems.
- Advanced Optical Construction – Built with 13 elements in 11 groups, including one aspherical and one hybrid aspherical element, to minimize chromatic aberrations and distortion while enhancing clarity and sharpness across the frame.
- Reliable Build with Anti-Flare Coating – Multi-layer Ultra Multi-Coating reduces flare and ghosting, while engraved side markings for focus, aperture, and depth of field aid precision focus pulling on set. Includes a bayonet lens hood and protective pouch.
Last update on 2025-09-22 / Affiliate links / Product Titles, Images, Descriptions from Amazon Product Advertising API
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FAQ:
Q: What kind of lens is the new Rokinon 16mm?
A: The NEW Rokinon 16mm Ultra Wide Angle F/2.0 Aspherical Lens is Rokinons newest addition to its assortment of high quality, affordable, prime lenses. The new 16mm lens is designed for cameras with APS-C crop frame sensors.
Q: Which is better Rokinon 16mm or Voigtlaender?
A: There’s a lot of bulkiness to the Rokinon 16mm that lends it to take up a big chunk in one’s camera bag. On the flip side, unlike a slower wide-angle prime (like Voigtlaender’s compact optics), the lens with its huge focus ring actually sits pretty well in the hand!
Q: Which is 16mm F / 2.0 ED AS UMC CS lens?
A: The 16mm f/2.0 ED AS UMC CS Lens from Rokinon is a manual focus wide-angle lens compatible with APS-C format DSLR digital cameras. It provides a 83.1° angle of view on APS-C and 79.5° on Canon APS-C which translates into a 35mm format equivalency of 25.6mm.
Q: What kind of field curvature does the Rokinon 16mm have?
A: It doesn’t make it any better that even besides this, the Rokinon 16mm suffers from some mild field curvature. This effect is most noticeable at wide apertures, but can still be seen at the pixel level at f/5.6. When a subject is within the plane of focus, however, this humble prime produces sharp results.